Below you find my reflection on the fourth section, titled Music and Silence, of Josef Pieper’s book, Only the Lover Sings. Click here for reflections on Chapter 1, Chapter 2 and Chapter 3.
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Music and Silence
“Music opens up a great, perfectly dimensioned space of silence within which, when things come about happily, a reality can dawn which ranks higher than music.”
Music creates a listening silence wherein we are opened up to the divine. It clears the channel of noise, distraction and thought so we might receive.
1 Kings 19:11-13
11 And he said, “Go forth, and stand upon the mount before the Lord.” And behold, the Lord passed by, and a great and strong wind rent the mountains, and broke in pieces the rocks before the Lord, but the Lord was not in the wind; and after the wind an earthquake, but the Lord was not in the earthquake; 12 and after the earthquake a fire, but the Lord was not in the fire; and after the fire a still small voice. 13 And when Eli′jah heard it, he wrapped his face in his mantle and went out and stood at the entrance of the cave. And behold, there came a voice to him, and said, “What are you doing here, Eli′jah?”
God is to be heard in the quiet, in the receptive, listening silence.
This is why music is essential to the liturgy. Youth programs such as Life Teen and the National Evangelization Team understand this powerful role of music to lift the heart to God. It seems the music one encounters at a typical Sunday liturgy ignores this fact. Jennifer Fitz, who is wonderful at saying it as it is, acknowledges part of the problem is choice. Some parishioners or priests, whoever it is who makes these decisions at some parishes simply do not want better music. We have experienced that. There may be many psychological reasons for it, but it comes down to a lack of openness and a lack of recognition of what the fine arts have to offer.
The self/we-centered hymns of OCP keep one firmly grounded, they do not open us up to a listening silence that goes beyond the music itself.
Considering more on silence, let us contrast this power of music with Edward Munch’s, The Scream, discussed by Daniel Siedell via a Peter J. Leithart post on First Things. The Scream, we read, expresses Munch’s desperate silence scream through art.
“The painting is ‘the sound of our response to nature’s brute silence and indifference, undisclosed as gift through God’s Word’ (21).”
There is a silence that is a barricaded silence, a solitary silence, a silence in which you find you are truly alone. Then there is the silence that is peace, rest, respite, hushed, that opens our hearts to hear the word of God.
Pieper describes the former which is the “malignant absence of words which already in our present common existence is a parcel of damnation. Isn’t this the silence we, in this society, are so afraid of? With the constant distraction, I’m not sure I agree with those who say we are afraid of silence because are afraid to look inside. Many are, it is true, fearful of that introspection found in silence. But I think, for many who do not know God or the celebration of life made possible by the knowledge of a life beyond this life, the silence is a frightful fearful thing because it is empty. It embodies the scream, the solitary life without meaning.
Fine music opens the heart and mind. The silence is not empty and so need not be a cause for fear. One must be willing to listen. When one is ready to listen. The use of music as a path to interior silence must not be underestimated as a tool for evangelization.
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